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Filters : Michel Lefèvre[x]
Formal Analysis and Computer Process - Algorithmic Music III/III
2024
The Missing Camera or: How I Learned to Stop Worrying and Love Oblique Projection
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2024
Survey and characterisation of the archaeological landscape of Lovo
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2023
Analysis, Systems & Composition
2023
Chamber Music Hall of Horta's Palais des Beaux-Arts: 3D Hypothesis
2022
Formal Analysis and Computer Process - Algorithmic Music II/III
2022
Formal Analysis and Computer Process - Algorithmic Music I/III
2021
Architectural Analysis, Survey and Documentation of Built Heritage
2020
Formal Analysis and Computer Process - The Algorists
2020
Architectural Analysis, Survey and Documentation of Built Heritage
2019
[x] Architectural Analysis and Graphic Representation - Morphosis in the 1980s
2019
Formal Analysis and Computer Process - Medley II/II
2019
Formal Analysis and Computer Process - Medley I/II
2018
Jean Prouvé - 3D short movies
2016
Architectural Analysis & Computer Process IV
2016
Architectural Analysis & Computer Process II
2014
Architectural Analysis & Computer Process I
2013
Baucher-Blondel-Filiponne - 3D short movies
2012
Jacques Dupuis & Albert Bontridder - 3D short movies
2011

Architectural Analysis and Graphic Representation - Morphosis in the 1980s

Teaching unit ARCH-P8123 - Master 1 & 2
Teachers: Denis Derycke (coordinator), Michel Lefèvre

The Architectural Analysis and Graphic Representation module focuses on matching architectural analysis with the development of relevant graphic representations. It involves conducting a formal analysis of a given project based on one or more criteria, and then translating this analysis using appropriate graphic representation methods to best serve the discourse about the analyzed object. Similar to the American analytical approach of figures like Francis Ching or Peter Eisenman, this course aims to teach students how to “read” architectural geometry, understand formal language, and grasp the compositional rules of a project purely in terms of form. Additionally, students learn about architectural graphic representation tools within both historical and contemporary epistemological contexts, enabling them to use these tools effectively, and develop their own graphic universe.

2018-2019 theme
Exploration of compositional and representational systems, as well as conceptual artifacts from the 1980s work of the Californian group Morphosis.

Featured Projects

Morphosis, Venice III House (1982)
Julia Barnoin & Guillaume Charinet

Morphosis, Malibu House (1986)
Laetitia Nour-Hanna & Ayman Ghazali