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Beyond the narrative: a workflow for 3D restitution of built heritage
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2024
Survey and characterisation of the archaeological landscape of Lovo
2024
Stoclet 1911 - Restitution
2024
Stoclet 1911 - Hypothesis
2024
Drawing air: the evolution of the representation of air in architectural drawing from the industrial revolution to the present
2023
Architectural Analysis, Survey and Documentation of Built Heritage
2023
[x] From projection to building and vice versa
2023
Anthropic Units in Baroque Architecture, the Gallery of the Palazzo Spada and the Roman Palm
2023
Crossed Experimentations of Low-Altitude Surveys For The Detection Of Buried Structures
2022
Misreading, once again...
2022
Towards a multi-scale semantic characterization of the built heritage
2021
Architectural Analysis, Survey and Documentation of Built Heritage
2020
Exploitation des numérisations pour l'analyse urbaine en contexte archéologique
2020
Architectural Analysis, Survey and Documentation of Built Heritage
2019
Exploitation de numérisations hétérogènes pour la représentation et l'analyse d'un site archéologique de grande échelle : Pachacamac 1532
2019
Relecture de vocabulaires d’architecture : apport de la complexité des représentations numériques dans la caractérisation de formes architecturales
2019
Places Royales Françaises. Réflexion d’une logique d’édification à travers une corrélation entre une analyse sémantique et un signal géométrique
2018
Le squelette de la Maison du Peuple : hypothèse de restitution 3D
2017
Espaces de processus/Espaces d'analyse. Description graphique de mécanismes géométriques compositionnels et représentationnels. Los Angeles dans les années 1980 : morceaux choisis
2017
Caractérisation de formes architecturales. Une approche expérimentale intégrant complexité et intelligibilité des représentations numériques
2016
Study and Rendition of Jean-Baptiste Hourlier's projection drawings
2016
Architectural Analysis & Computer Process IV
2016
Architectural Analysis & Computer Process III
2015
Immeuble Bessonneau à Casablanca - Hypothèse de restitution de l’état originel
2015
Reduce to Understand: a Challenge for Analysis and Three-dimensional Documentation of Architecture
2015
Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens
2015
Architectural Analysis & Computer Process II
2014
Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
Architectural Analysis & Computer Process I
2013
Aménagement du Hall des Beaux-Arts par Lucien-Jacques Baucher
2013
La complexité inhérente aux modèles numériques et le paradigme de la représentation architecturale - Brèves considérations sur les pratiques contemporaines
2012
Jacques Dupuis & Albert Bontridder - 3D short movies
2011
Photomodélisation de la Maison de Verre de Paul-Amaury Michel
2010
Architectural analysis and relevance of digital representation techniques - An educational experiment
2007
Peter Eisenman's Houses I to X
2002

From projection to building and vice versa

Author(s): David Lo Buglio

Full title:

From projection to building and vice versa: Perception scale of trompe l'oeil and its resurgence in a particular kind of contemporary architecture

Contribution to Envisioning Architectural Scales in the Analogue and Virtual Representation of Architecture: Proceedings of the 16th EAEA conference (pp. 60-71). Royal Danish Academy - Architecture, Design, Conservation.

Abstract:

This paper is driven by two concerns. On one hand, to understand how projective (and perspective) devices in architectural drawing can influence our physical perception of the world and its scale; and, on the other hand, to consider the architectural survey as a moment of knowledge. While these two concerns may seem to have little in common, they both question the persistence of projections in the architectural object and their ability to disrupt our perception. Through studying the functioning of a singular accelerated perspective (forced perspective), this paper intends to understand why this particular type of projective device (architectural trompe l’oeil) is reappearing in a particular kind of contemporary architectural production.

Projects form the following students are featured in the article: Valéry Fortune, Valentin Foulon, Myriem Saoud & Pauline Virtt

Link to the full paper