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Title
Year
Virtual Systems – Actual Objects: Rendition of Morphosis ' Compositional Principles in the mid 1980s
2018
Formal Analysis and Computer Process - Medley I/II
2018
Jean-Nicolas-Louis Durand’s Clockwork
2018
Le squelette de la Maison du Peuple : hypothèse de restitution 3D
2017
Espaces de processus/Espaces d'analyse. Description graphique de mécanismes géométriques compositionnels et représentationnels. Los Angeles dans les années 1980 : morceaux choisis
2017
Jean Prouvé - 3D short movies
2016
[x] Caractérisation de formes architecturales. Une approche expérimentale intégrant complexité et intelligibilité des représentations numériques
2016
Study and Rendition of Jean-Baptiste Hourlier's projection drawings
2016
Architectural Analysis & Computer Process IV
2016
Morphosis Drawings and Models in the Mid 1980s: Graphic Description of Graphic Thinking
2016
Architectural Analysis & Computer Process III
2015
Architecture « résolument » numérique : Paradigm Shift vs. paradigme albertien ?
2015
Immeuble Bessonneau à Casablanca - Hypothèse de restitution de l’état originel
2015
Reduce to Understand: a Challenge for Analysis and Three-dimensional Documentation of Architecture
2015
Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens
2015
Jean-Nicolas-Louis Durand - Representation as Instrument
2015
Architectural Analysis & Computer Process II
2014
Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
Architectural Analysis & Computer Process I
2013
Aménagement du Hall des Beaux-Arts par Lucien-Jacques Baucher
2013
Baucher-Blondel-Filiponne - 3D short movies
2012
La complexité inhérente aux modèles numériques et le paradigme de la représentation architecturale - Brèves considérations sur les pratiques contemporaines
2012
Jacques Dupuis & Albert Bontridder - 3D short movies
2011
Photomodélisation de la Maison de Verre de Paul-Amaury Michel
2010
Van Buuren House Orthophotographic Survey
2009
Al Taybeh 3D Photogrammetric Survey
2008
Architectural analysis and relevance of digital representation techniques - An educational experiment
2007
Peter Eisenman's Houses I to X
2002
EXPLORER: A Procedural Modeler Based on Architectural Knowledge
1997
POV-Ray: architectural analysis and computer rendering
1995

Caractérisation de formes architecturales. Une approche expérimentale intégrant complexité et intelligibilité des représentations numériques

Author(s): David Lo Buglio

English title

Characterisation of architectural shapes. An experimental approach integrating the complexity and intelligibility of digital representations

Supervisors

Judith le Maire de Romsée, Professor (ULB) and Livio De Luca, Research Director (CNRS)

Members of the jury

Victor Brunfaut, Professor, Faculté d'Architecture (ULB) – Président / Jean-Yves Blaise, Researcher (CNRS), FR / Marc Daniel, University Professor, H.D.R (CNRS), FR / Pascal Liévaux, Head of the Department for Research and Scientific Policy (Ministry of Culture and Communication), FR

Abstract

These last three decades, the integration of digital technology in the field of architectural practice, and particularly in the study of building heritage, generated major upheavals. Through a historical perspective of architectural survey, this research discusses the cognitive dimension intrinsic to its practice and to the technological challenges it faces.

On that basis, it appears that the digitizations coming from the application of the latest acquisition methods (photogrammetry & lasergrammetry) express high completeness (visual and metric) with the artifacts surveyed, but also produce significant data volumes. This "information overload" does not reinforces the architectural representation in its role of knowledge vehicle. Facing this lack of intelligibility, the purpose of this research is to provide an epistemological answer  considering the need of intelligibility without loosing the value of digitizations. This research offers an original low level (non-interpretative) approach, where the meaning of elements ("semantic" and "geometric" structure) comes from the morphological similarities observed on a corpus of digitized shapes. The statistical analysis and the use of different morphological descriptors help to formalize characteristic signatures of the corpus; they correspond to the formal expression of a determined number of geometric features. This approach provides a methodological solution for "big data" processing.

Based on accumulation of data, it offers a complementary analytical response to "traditional" high-level approaches (interpretative) where the shape is characterized with pre-structured knowledge specific to the architectural field. If one of the challenges is to apply geometric analytical methods on "big data", the other one is to confront, through the comparative study, high and low level observations. The purpose is to refine the understanding of the stylistic propagations in time and in space. To experiment this approach, 31 columns of the cloister of the Abbey of Saint-Michel-de-Cuxa have undergone a thorough morphological analysis.

Keywords: Architectural representation, survey, digital, architectural heritage, shape analysis, semantic description.

Link to the full text