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Title
Year
The Missing Camera or: How I Learned to Stop Worrying and Love Oblique Projection
2024
Relics of Electronic Hallucinations. Gazing at Early Computational Fluid Dynamics Drawings from Los Alamos Nuclear Research Center
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2024
Rules, A Short History Of What We Live By, A book by Lorraine Daston
2024
Survey and characterisation of the archaeological landscape of Lovo
2024
[x] Stoclet 1911 - Restitution
2024
Stoclet 1911 - Hypothesis
2024
TV Show: 3D Digitization and Built Heritage Preservation
2024
Drawing air: the evolution of the representation of air in architectural drawing from the industrial revolution to the present
2023
Architectural Analysis, Survey and Documentation of Built Heritage
2023
Analysis, Systems & Composition
2023
Code Tracing
2023
Maison du Peuple full scale experience on its original site
2023
From projection to building and vice versa
2023
Emergence of pre-digital algorithmic design
2023
Comparing Randomness
2023
Anthropic Units in Baroque Architecture, the Gallery of the Palazzo Spada and the Roman Palm
2023
Workshop Glyph
2023
Re-presentation as an analytical tool in Baroque Architecture
2022
Crossed Experimentations of Low-Altitude Surveys For The Detection Of Buried Structures
2022
Chamber Music Hall of Horta's Palais des Beaux-Arts: 3D Hypothesis
2022
Formal Analysis and Computer Process - Algorithmic Music II/II
2022
Misreading, once again...
2022
Perspectives on Dwelling : Architectural Anthropologies of Home
2022
Workshop (fig.22)
2022
Towards a multi-scale semantic characterization of the built heritage
2021
De l'incarnation de la protoarchitecture
2021
Formal Analysis and Computer Process - Algorithmic Music I/II
2021
Noise
2021
(Close) Reading Morphosis
2021
Jeu d’échelles / échelles du jeu
2021
Pohlke: One-Click Standard Orthographic and Oblique Projection Cameras
2021
Workshop (fig.)
2021
Perspectiva Virtualis
2021
Architectural Analysis, Survey and Documentation of Built Heritage
2020
Exploitation des numérisations pour l'analyse urbaine en contexte archéologique
2020
Formal Analysis and Computer Process - The Algorists
2020
Urban Planning Representation
2020
Projection built into Sketchpad III: origin of a critical field in computer graphics
2020
Architectural Analysis, Survey and Documentation of Built Heritage
2019
Exploitation de numérisations hétérogènes pour la représentation et l'analyse d'un site archéologique de grande échelle : Pachacamac 1532
2019
Relecture de vocabulaires d’architecture : apport de la complexité des représentations numériques dans la caractérisation de formes architecturales
2019
Victor Horta's Maison du Peuple 3D restitution hypothesis
2019
Architectural Analysis and Graphic Representation - Morphosis in the 1980s
2019
Formal Analysis and Computer Process - Medley II/II
2019
Histoires de Représentation
2019
Victor Horta's Maison du Peuple 3D restitution hypothesis
2019
Building Drawings : Decoding and Recoding the Graphic Projection Algorithm in Architectural Representation
2019
Places Royales Françaises. Réflexion d’une logique d’édification à travers une corrélation entre une analyse sémantique et un signal géométrique
2018
Virtual Systems – Actual Objects: Rendition of Morphosis ' Compositional Principles in the mid 1980s
2018

Stoclet 1911 - Restitution

[2024] [Publication] [Drawing] [Video] [3D model]
Author(s): Jean Trottet, David Lo Buglio

Collaborating institution: ubran.brussels

Location : "Musée Art & Histoire"

02.01.24 -14.04.24

This exhibition is the result of a collaboration between urban.brussels, ULB - Faculté d'Architecture La Cambre Horta and the Musée Art & Histoire. It was initiated to mark the Art Nouveau Brussels 2023 year and was presented as part of the Belgian Presidency of the Council of the European Union (from 1 January to 30 June 2024).

The aim of this exhibition and the digital reconstruction presented in the form of a film is to take visitors on a tour of the interiors of the Stoclet Palace, which has been on the very select list of Brussels buildings included on UNESCO's World Heritage List since 2009, but is still little known to the general public.

The virtual reconstruction of this palace (which reproduces the state of the palace between 1911 and 1918 and does not represent the existing situation) is based on precise archival sources and then on a detailed architectural analysis of its spaces, work that kept the team of experts* busy for almost two years. Its realism reinforces the impression that visitors are immersed in the building's original state, between 1911 and 1918: we discover the palace exactly as the couple Suzanne Stevens and Adolphe Stoclet dreamed it would be. Today, for the duration of this exhibition, we are all their guests.

The film presented in the exhibition aims to give an account of this work, while enabling visitors to discover a building that is still little known to the general public. The aim is not so much to document the palace as to express the richness of this total work of art and the commitment of the Stoclet family as patrons and pioneers of their time.

*This scientific study of the Stoclet Palace is part of a close collaboration between experts from the Brussels-Capital Region (Urban.brussels) and the ULB (ALICE Laboratory).

Curator: Guy Conde-Reis (Urban)

Researchers: Jean Trottet (Research & 3D modeling, ULB) & David Lo Buglio (Scientifique supervision & project lead, ULB)

Scientific collaborator: Isabelle Leroy (Urban)

Scenography: Traumnovelle

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