AlICe

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Formal Analysis and Computer Process - Algorithmic Music III/III
2024
The Missing Camera or: How I Learned to Stop Worrying and Love Oblique Projection
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2024
Drawing air: the evolution of the representation of air in architectural drawing from the industrial revolution to the present
2023
Architectural Analysis, Survey and Documentation of Built Heritage
2023
Analysis, Systems & Composition
2023
From projection to building and vice versa
2023
Emergence of pre-digital algorithmic design
2023
Comparing Randomness
2023
Formal Analysis and Computer Process - Algorithmic Music II/III
2022
Misreading, once again...
2022
De l'incarnation de la protoarchitecture
2021
Formal Analysis and Computer Process - Algorithmic Music I/III
2021
(Close) Reading Morphosis
2021
Jeu d’échelles / échelles du jeu
2021
Workshop (fig.)
2021
Perspectiva Virtualis
2021
Architectural Analysis, Survey and Documentation of Built Heritage
2020
Formal Analysis and Computer Process - The Algorists
2020
Architectural Analysis, Survey and Documentation of Built Heritage
2019
Exploitation de numérisations hétérogènes pour la représentation et l'analyse d'un site archéologique de grande échelle : Pachacamac 1532
2019
Architectural Analysis and Graphic Representation - Morphosis in the 1980s
2019
Formal Analysis and Computer Process - Medley II/II
2019
Histoires de Représentation
2019
Virtual Systems – Actual Objects: Rendition of Morphosis ' Compositional Principles in the mid 1980s
2018
Formal Analysis and Computer Process - Medley I/II
2018
Jean-Nicolas-Louis Durand’s Clockwork
2018
Espaces de processus/Espaces d'analyse. Description graphique de mécanismes géométriques compositionnels et représentationnels. Los Angeles dans les années 1980 : morceaux choisis
2017
Study and Rendition of Jean-Baptiste Hourlier's projection drawings
2016
Morphosis Drawings and Models in the Mid 1980s: Graphic Description of Graphic Thinking
2016
Immeuble Bessonneau à Casablanca - Hypothèse de restitution de l’état originel
2015
Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens
2015
Jean-Nicolas-Louis Durand - Representation as Instrument
2015
[x] Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
Photomodélisation de la Maison de Verre de Paul-Amaury Michel
2010

Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking

Contribution to the 2014 Design Communication Association Conference (DCA): Design & Graphic Palimpsest [Dialogue-Discourse-Discussion], Southern Polytechnic State University, Atlanta GA, October 2014.

Abstract:
Created in 1994, AlICe – Computer Laboratory for Conception and Image in Architecture – is a teaching and research unit treating issues related to architectural analysis, architectural representation and graphic communication. Besides research projects, the laboratory aims since 20 years at educating students to a critical understanding of contemporary architectural representation, using both traditional and digital media within a framework deeply rooted in history and theory. The field of experimentation for this educational project is architectural analysis since the examination of an existing architectural object (built or not) constitutes an ideal starting point for a student to start challenging his understanding of architectural representation, pristine from design ideologies. Students proceed to examination of compositional grammars and formal vocabularies, and postulate analytical interpretations by understanding and exploring several media, conventions or projection techniques, regarding their specificities. They are likely to combine pencil sketching, 3d modeling, filming, 3D printing, photogrammetric data acquisition or even procedural scripting for well-documented experimentations of canons of architectural representation. By focusing on the meaningful relationship between architectural discourse and a set of adequate – sometimes customized – media, they set up an analytical critical thought linked to a graphic outcome.

Projects form the following students are featured in this article: Arthur Lachard, Youssef El Jachemi, Emar Essaadouni, Hicham Benjelloum, Eléonore David, Raphaël Padovani.

Link to the full text