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Architectural Analysis, Survey and Documentation of Built Heritage
2024
Survey and characterisation of the archaeological landscape of Lovo
2024
Stoclet 1911 - Restitution
2024
Stoclet 1911 - Hypothesis
2024
Drawing air: the evolution of the representation of air in architectural drawing from the industrial revolution to the present
2023
Architectural Analysis, Survey and Documentation of Built Heritage
2023
From projection to building and vice versa
2023
Anthropic Units in Baroque Architecture, the Gallery of the Palazzo Spada and the Roman Palm
2023
Crossed Experimentations of Low-Altitude Surveys For The Detection Of Buried Structures
2022
Misreading, once again...
2022
Towards a multi-scale semantic characterization of the built heritage
2021
Architectural Analysis, Survey and Documentation of Built Heritage
2020
Exploitation des numérisations pour l'analyse urbaine en contexte archéologique
2020
Architectural Analysis, Survey and Documentation of Built Heritage
2019
Exploitation de numérisations hétérogènes pour la représentation et l'analyse d'un site archéologique de grande échelle : Pachacamac 1532
2019
Relecture de vocabulaires d’architecture : apport de la complexité des représentations numériques dans la caractérisation de formes architecturales
2019
Places Royales Françaises. Réflexion d’une logique d’édification à travers une corrélation entre une analyse sémantique et un signal géométrique
2018
Le squelette de la Maison du Peuple : hypothèse de restitution 3D
2017
Espaces de processus/Espaces d'analyse. Description graphique de mécanismes géométriques compositionnels et représentationnels. Los Angeles dans les années 1980 : morceaux choisis
2017
Caractérisation de formes architecturales. Une approche expérimentale intégrant complexité et intelligibilité des représentations numériques
2016
Study and Rendition of Jean-Baptiste Hourlier's projection drawings
2016
Architectural Analysis & Computer Process IV
2016
Architectural Analysis & Computer Process III
2015
Immeuble Bessonneau à Casablanca - Hypothèse de restitution de l’état originel
2015
Reduce to Understand: a Challenge for Analysis and Three-dimensional Documentation of Architecture
2015
Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens
2015
Architectural Analysis & Computer Process II
2014
Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
Architectural Analysis & Computer Process I
2013
[x] Aménagement du Hall des Beaux-Arts par Lucien-Jacques Baucher
2013
La complexité inhérente aux modèles numériques et le paradigme de la représentation architecturale - Brèves considérations sur les pratiques contemporaines
2012
Jacques Dupuis & Albert Bontridder - 3D short movies
2011
Photomodélisation de la Maison de Verre de Paul-Amaury Michel
2010
Architectural analysis and relevance of digital representation techniques - An educational experiment
2007
Peter Eisenman's Houses I to X
2002

Aménagement du Hall des Beaux-Arts par Lucien-Jacques Baucher

Author(s): Eléonore David, Raphaël Padovani

Supervisors : Denis Derycke & Irène Lund
Submitted on September 2013

Abstract:
After the cultural revolution of May 68, culture and arts are no longer meant to be the privilege of the elite, but to be accessible to the whole people. In the early 1970s, Lucien Jacques Baucher, Marc Libois and Michel Draps designed a metal structure completely filling the sculpture hall of Victor Horta’s Palais des Beaux-Arts. The main principle was to have an agora at the center, surrounded by terraces and galleries for the public all around. The concept of the project was to be flexible and adaptable, and to host contemporary art exhibitions, concerts and other cultural events in such highly symbolic space. The project could have been listed as heritage along with the space hosting it, but was destroyed in the mid-1990s, despite protest from major cultural personalities. This documentary short film presents the history this iconic structure, from its genesis to its demise. The story is illustrated by a 3D restitution hypothesis of the project, inserted in a 3D digitization of the hall of Horta’s building. The research was undertaken under the supervision of the architects themselves, with the support of their archives.