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Relics of Electronic Hallucinations. Gazing at Early Computational Fluid Dynamics Drawings from Los Alamos Nuclear Research Center
2024
Rules, A Short History Of What We Live By, A book by Lorraine Daston
2024
From projection to building and vice versa
2023
Emergence of pre-digital algorithmic design
2023
Comparing Randomness
2023
Anthropic Units in Baroque Architecture, the Gallery of the Palazzo Spada and the Roman Palm
2023
Re-presentation as an analytical tool in Baroque Architecture
2022
Crossed Experimentations of Low-Altitude Surveys For The Detection Of Buried Structures
2022
Towards a multi-scale semantic characterization of the built heritage
2021
Jeu d’échelles / échelles du jeu
2021
Perspectiva Virtualis
2021
Exploitation des numérisations pour l'analyse urbaine en contexte archéologique
2020
Urban Planning Representation
2020
Projection built into Sketchpad III: origin of a critical field in computer graphics
2020
Exploitation de numérisations hétérogènes pour la représentation et l'analyse d'un site archéologique de grande échelle : Pachacamac 1532
2019
Relecture de vocabulaires d’architecture : apport de la complexité des représentations numériques dans la caractérisation de formes architecturales
2019
Histoires de Représentation
2019
Building Drawings : Decoding and Recoding the Graphic Projection Algorithm in Architectural Representation
2019
Virtual Systems – Actual Objects: Rendition of Morphosis ' Compositional Principles in the mid 1980s
2018
Jean-Nicolas-Louis Durand’s Clockwork
2018
Le squelette de la Maison du Peuple : hypothèse de restitution 3D
2017
Espaces de processus/Espaces d'analyse. Description graphique de mécanismes géométriques compositionnels et représentationnels. Los Angeles dans les années 1980 : morceaux choisis
2017
Caractérisation de formes architecturales. Une approche expérimentale intégrant complexité et intelligibilité des représentations numériques
2016
Study and Rendition of Jean-Baptiste Hourlier's projection drawings
2016
Morphosis Drawings and Models in the Mid 1980s: Graphic Description of Graphic Thinking
2016
Architecture « résolument » numérique : Paradigm Shift vs. paradigme albertien ?
2015
Reduce to Understand: a Challenge for Analysis and Three-dimensional Documentation of Architecture
2015
[x] Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens
2015
Jean-Nicolas-Louis Durand - Representation as Instrument
2015
Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
La complexité inhérente aux modèles numériques et le paradigme de la représentation architecturale - Brèves considérations sur les pratiques contemporaines
2012
EXPLORER: A Procedural Modeler Based on Architectural Knowledge
1997

Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens

Author(s): Denis Derycke, Veronique Boone

English title: Architectural analysis, 3D modeling, and filmic narration: an original gaze on a few Le Corbusier's objects

Contribution to the Le Corbusier, 50 years later International Congress, Universitat Politècnica de Valencia, Valencia, November 2015.

Abstract:
To analyze Le Corbusier's work through 3D digital modeling constitutes an important issue for the dissemination of the legacy of this major architect. During an analytical process, a relevant use of contemporary graphic means associated to an understanding of the codes of architectural representation allows to reveal new issues, or new points of view. When linking the graphic production of such process to film narrative and to the codes of documentary film, one obtain singular documents: short-movies based on computer generated images that support an analytical and critical thought, but also present projects under a new visual expression; didactic and descriptive. Those documents become particularly interesting when it comes to highlighting obscure architectural heritage, or to give body to projects remained on paper. With the support of the Fondation Le Corbusier, some Master architecture students investigated Belgian projects of the work of Le Corbusier, from which only two were built and no more than one remains. Through precise methodological issues, this paper accounts for the knowledge that such productions can offer on sometimes less-known architectural objects from the Swiss master.

Projects form the following students are featured in this article: Tom Pariente, Jérémy Moreau, Marine Serrette, Quoc Anh Bach, Correntin Werrie, Benoit Capel, Jonathan Van Saet, Geoffrey Minne.

Link to the full text

In addition to the lecture and paper, AlICe lab contribution to the event was also the presentation of two physical models as well as four 3D short films of Le Corbusier unbuilt Belgian projects. Those documents were showcased in the exhibition adjacent to the Congress.

Short films:
The Canneel House (1929), by Tom Pariente & Jérémy Moreau
The French Pavilion for the Liège Water Exhibition (1939), by Marinne Serrette
Urban design for the Antwerp left bank (1933), by Elena Miralles & Safia Alvarez
Unlimited Growth Museum (1939), by Julien de Muynck & Alexandre Leytens

Models:
The Canneel House (1929), model built by Corentin Werrie
The French Pavilion for the Liège Water Exhibition (1939), model built by Marine Serette)