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Relics of Electronic Hallucinations. Gazing at Early Computational Fluid Dynamics Drawings from Los Alamos Nuclear Research Center
2024
Rules, A Short History Of What We Live By, A book by Lorraine Daston
2024
From projection to building and vice versa
2023
Emergence of pre-digital algorithmic design
2023
Comparing Randomness
2023
Anthropic Units in Baroque Architecture, the Gallery of the Palazzo Spada and the Roman Palm
2023
Re-presentation as an analytical tool in Baroque Architecture
2022
Crossed Experimentations of Low-Altitude Surveys For The Detection Of Buried Structures
2022
Towards a multi-scale semantic characterization of the built heritage
2021
Jeu d’échelles / échelles du jeu
2021
Perspectiva Virtualis
2021
Exploitation des numérisations pour l'analyse urbaine en contexte archéologique
2020
Urban Planning Representation
2020
Projection built into Sketchpad III: origin of a critical field in computer graphics
2020
Exploitation de numérisations hétérogènes pour la représentation et l'analyse d'un site archéologique de grande échelle : Pachacamac 1532
2019
Relecture de vocabulaires d’architecture : apport de la complexité des représentations numériques dans la caractérisation de formes architecturales
2019
Histoires de Représentation
2019
Building Drawings : Decoding and Recoding the Graphic Projection Algorithm in Architectural Representation
2019
Virtual Systems – Actual Objects: Rendition of Morphosis ' Compositional Principles in the mid 1980s
2018
Jean-Nicolas-Louis Durand’s Clockwork
2018
Le squelette de la Maison du Peuple : hypothèse de restitution 3D
2017
Espaces de processus/Espaces d'analyse. Description graphique de mécanismes géométriques compositionnels et représentationnels. Los Angeles dans les années 1980 : morceaux choisis
2017
Caractérisation de formes architecturales. Une approche expérimentale intégrant complexité et intelligibilité des représentations numériques
2016
Study and Rendition of Jean-Baptiste Hourlier's projection drawings
2016
Morphosis Drawings and Models in the Mid 1980s: Graphic Description of Graphic Thinking
2016
Architecture « résolument » numérique : Paradigm Shift vs. paradigme albertien ?
2015
Reduce to Understand: a Challenge for Analysis and Three-dimensional Documentation of Architecture
2015
Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens
2015
Jean-Nicolas-Louis Durand - Representation as Instrument
2015
[x] Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
La complexité inhérente aux modèles numériques et le paradigme de la représentation architecturale - Brèves considérations sur les pratiques contemporaines
2012
EXPLORER: A Procedural Modeler Based on Architectural Knowledge
1997

Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking

Contribution to the 2014 Design Communication Association Conference (DCA): Design & Graphic Palimpsest [Dialogue-Discourse-Discussion], Southern Polytechnic State University, Atlanta GA, October 2014.

Abstract:
Created in 1994, AlICe – Computer Laboratory for Conception and Image in Architecture – is a teaching and research unit treating issues related to architectural analysis, architectural representation and graphic communication. Besides research projects, the laboratory aims since 20 years at educating students to a critical understanding of contemporary architectural representation, using both traditional and digital media within a framework deeply rooted in history and theory. The field of experimentation for this educational project is architectural analysis since the examination of an existing architectural object (built or not) constitutes an ideal starting point for a student to start challenging his understanding of architectural representation, pristine from design ideologies. Students proceed to examination of compositional grammars and formal vocabularies, and postulate analytical interpretations by understanding and exploring several media, conventions or projection techniques, regarding their specificities. They are likely to combine pencil sketching, 3d modeling, filming, 3D printing, photogrammetric data acquisition or even procedural scripting for well-documented experimentations of canons of architectural representation. By focusing on the meaningful relationship between architectural discourse and a set of adequate – sometimes customized – media, they set up an analytical critical thought linked to a graphic outcome.

Projects form the following students are featured in this article: Arthur Lachard, Youssef El Jachemi, Emar Essaadouni, Hicham Benjelloum, Eléonore David, Raphaël Padovani.

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