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[x] Formal Analysis and Computer Process - French Electro
2026
Formal Analysis and Computer Process - Algorithmic Music III/III
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2023
Analysis, Systems & Composition
2023
Formal Analysis and Computer Process - Algorithmic Music II/III
2022
Formal Analysis and Computer Process - Algorithmic Music I/III
2021
Architectural Analysis, Survey and Documentation of Built Heritage
2020
Formal Analysis and Computer Process - The Algorists
2020
Architectural Analysis, Survey and Documentation of Built Heritage
2019
Architectural Analysis and Graphic Representation - Morphosis in the 1980s
2019
Formal Analysis and Computer Process - Medley II/II
2019
Formal Analysis and Computer Process - Medley I/II
2018
Jean Prouvé - 3D short movies
2016
Architectural Analysis & Computer Process IV
2016
Architectural Analysis & Computer Process III
2015
Architectural Analysis & Computer Process II
2014
Architectural Analysis & Computer Process I
2013
Baucher-Blondel-Filiponne - 3D short movies
2012
Jacques Dupuis & Albert Bontridder - 3D short movies
2011
POV-Ray: architectural analysis and computer rendering
1995

Formal Analysis and Computer Process - French Electro

Teaching unit ARCH-P8123 - Master 1
Teachers: Denis Derycke (coordinator), Michel Lefèvre
Invited lecturers: Uri Wegman, Julien Rippinger

The Formal Analysis and Computer Process module considers architectural composition as an operation primarily based on principles that are inherent to architecture itself, devoid of any form of contextualization, function or ideological content. It assumes that the purpose of architecture mainly lies in the shapes and spaces through which architecture reveals itself, as well as in the graphic means – drawings and models – through which architecture is designed, which are often its only mode of existence. In such an approach, the design is no longer meant to produce a concrete output; the creation of exploratory composition processes becomes an end in itself.

In this 12 week exercise, students investigate a given artwork or set of artworks from the same artist. The objects of study are from the fields of painting, sculpture, music or architecture, and their initial composition methods are related to systemic processes. Students are asked to extract formal vocabulary and recurrent composition rules out of their object of study. Then, they translate and interpret those rules with parametric computer programming, so as to generate random (parametric) architectural configurations that match their initial analysis. In the end, they proceed to an architectural rendition of the work of art they previously analyzed, within the space of a 10 cm cube. To do so, they use only the following graphic means: axonometric projections and 3D printing.

2025-2026 theme
French Electro & predecessors. Selected musicians: Daft Punk, Air, Justice, French 79, Mr. Oizo, St Germain, Laurent Garnier, Kavinsky, Giorgio Moroder

Featured projects:

Daft Punk: Veridis Quo (2001)
Marina Hinojal Vicente & Yu-Hsiang Hu

Kavinsky: Testarossa Autodrive (2006)
Luna Faudez & Hadrien Chevalier

St Germain - Deep in it (1995)
Marco Lopes De Bessa & Visay Sourivong

Air - La femme d'argent (1998)
Zeineb Azzaoui & Charlotte Gigot

(better photos to come...)