AlICe

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The Missing Camera or: How I Learned to Stop Worrying and Love Oblique Projection
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2024
Drawing air: the evolution of the representation of air in architectural drawing from the industrial revolution to the present
2023
Architectural Analysis, Survey and Documentation of Built Heritage
2023
Analysis, Systems & Composition
2023
From projection to building and vice versa
2023
Emergence of pre-digital algorithmic design
2023
Comparing Randomness
2023
Formal Analysis and Computer Process - Algorithmic Music II/II
2022
Misreading, once again...
2022
De l'incarnation de la protoarchitecture
2021
Formal Analysis and Computer Process - Algorithmic Music I/II
2021
(Close) Reading Morphosis
2021
Jeu d’échelles / échelles du jeu
2021
Workshop (fig.)
2021
Perspectiva Virtualis
2021
Architectural Analysis, Survey and Documentation of Built Heritage
2020
Formal Analysis and Computer Process - The Algorists
2020
Architectural Analysis, Survey and Documentation of Built Heritage
2019
Exploitation de numérisations hétérogènes pour la représentation et l'analyse d'un site archéologique de grande échelle : Pachacamac 1532
2019
Architectural Analysis and Graphic Representation - Morphosis in the 1980s
2019
Formal Analysis and Computer Process - Medley II/II
2019
Histoires de Représentation
2019
Virtual Systems – Actual Objects: Rendition of Morphosis ' Compositional Principles in the mid 1980s
2018
Formal Analysis and Computer Process - Medley I/II
2018
Jean-Nicolas-Louis Durand’s Clockwork
2018
Espaces de processus/Espaces d'analyse. Description graphique de mécanismes géométriques compositionnels et représentationnels. Los Angeles dans les années 1980 : morceaux choisis
2017
Study and Rendition of Jean-Baptiste Hourlier's projection drawings
2016
Morphosis Drawings and Models in the Mid 1980s: Graphic Description of Graphic Thinking
2016
Immeuble Bessonneau à Casablanca - Hypothèse de restitution de l’état originel
2015
[x] Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens
2015
Jean-Nicolas-Louis Durand - Representation as Instrument
2015
Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
Photomodélisation de la Maison de Verre de Paul-Amaury Michel
2010

Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens

Author(s): Denis Derycke, Veronique Boone

English title: Architectural analysis, 3D modeling, and filmic narration: an original gaze on a few Le Corbusier's objects

Contribution to the Le Corbusier, 50 years later International Congress, Universitat Politècnica de Valencia, Valencia, November 2015.

Abstract:
To analyze Le Corbusier's work through 3D digital modeling constitutes an important issue for the dissemination of the legacy of this major architect. During an analytical process, a relevant use of contemporary graphic means associated to an understanding of the codes of architectural representation allows to reveal new issues, or new points of view. When linking the graphic production of such process to film narrative and to the codes of documentary film, one obtain singular documents: short-movies based on computer generated images that support an analytical and critical thought, but also present projects under a new visual expression; didactic and descriptive. Those documents become particularly interesting when it comes to highlighting obscure architectural heritage, or to give body to projects remained on paper. With the support of the Fondation Le Corbusier, some Master architecture students investigated Belgian projects of the work of Le Corbusier, from which only two were built and no more than one remains. Through precise methodological issues, this paper accounts for the knowledge that such productions can offer on sometimes less-known architectural objects from the Swiss master.

Projects form the following students are featured in this article: Tom Pariente, Jérémy Moreau, Marine Serrette, Quoc Anh Bach, Correntin Werrie, Benoit Capel, Jonathan Van Saet, Geoffrey Minne.

Link to the full text

In addition to the lecture and paper, AlICe lab contribution to the event was also the presentation of two physical models as well as four 3D short films of Le Corbusier unbuilt Belgian projects. Those documents were showcased in the exhibition adjacent to the Congress.

Short films:
The Canneel House (1929), by Tom Pariente & Jérémy Moreau
The French Pavilion for the Liège Water Exhibition (1939), by Marinne Serrette
Urban design for the Antwerp left bank (1933), by Elena Miralles & Safia Alvarez
Unlimited Growth Museum (1939), by Julien de Muynck & Alexandre Leytens

Models:
The Canneel House (1929), model built by Corentin Werrie
The French Pavilion for the Liège Water Exhibition (1939), model built by Marine Serette)