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The Missing Camera or: How I Learned to Stop Worrying and Love Oblique Projection
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2024
Drawing air: the evolution of the representation of air in architectural drawing from the industrial revolution to the present
2023
Architectural Analysis, Survey and Documentation of Built Heritage
2023
Analysis, Systems & Composition
2023
From projection to building and vice versa
2023
Emergence of pre-digital algorithmic design
2023
Comparing Randomness
2023
Formal Analysis and Computer Process - Algorithmic Music II/II
2022
Misreading, once again...
2022
De l'incarnation de la protoarchitecture
2021
Formal Analysis and Computer Process - Algorithmic Music I/II
2021
[x] (Close) Reading Morphosis
2021
Jeu d’échelles / échelles du jeu
2021
Workshop (fig.)
2021
Perspectiva Virtualis
2021
Architectural Analysis, Survey and Documentation of Built Heritage
2020
Formal Analysis and Computer Process - The Algorists
2020
Architectural Analysis, Survey and Documentation of Built Heritage
2019
Exploitation de numérisations hétérogènes pour la représentation et l'analyse d'un site archéologique de grande échelle : Pachacamac 1532
2019
Architectural Analysis and Graphic Representation - Morphosis in the 1980s
2019
Formal Analysis and Computer Process - Medley II/II
2019
Histoires de Représentation
2019
Virtual Systems – Actual Objects: Rendition of Morphosis ' Compositional Principles in the mid 1980s
2018
Formal Analysis and Computer Process - Medley I/II
2018
Jean-Nicolas-Louis Durand’s Clockwork
2018
Espaces de processus/Espaces d'analyse. Description graphique de mécanismes géométriques compositionnels et représentationnels. Los Angeles dans les années 1980 : morceaux choisis
2017
Study and Rendition of Jean-Baptiste Hourlier's projection drawings
2016
Morphosis Drawings and Models in the Mid 1980s: Graphic Description of Graphic Thinking
2016
Immeuble Bessonneau à Casablanca - Hypothèse de restitution de l’état originel
2015
Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens
2015
Jean-Nicolas-Louis Durand - Representation as Instrument
2015
Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
Photomodélisation de la Maison de Verre de Paul-Amaury Michel
2010

(Close) Reading Morphosis

Author(s): Ayman Ghazali

Supervisor: Denis Derycke
Submitted on September 2021

Abstract:
During the second half of the 1980s, Thom Mayne and Michael Rotondi - founders of Morphosis - invested themselves in an architectural research, involving complex strategies of composition, as well as an extremely thoughtful transgression of representation's norms : their production reflects a richness of the compositional process and a rigorous mastery of the representational tool. Presented without explanations, this production exists only through iconic graphic abjects, closed on themselves with all the complexity they tend to communicate, and calling to decipher them in order to extract the richness they seem to encapsulate. The present research therefore aims at proposing an interpretive reading of Morphosis's architectural language, through graphic representation and the production of documents likely to bring new knowledge on their universe. This on a corpus of study composed of two projects from the 1980s, namely: the Crawford Residence (1988) & the Malibu House (1986). The aim would be both to understand and expose compositional and representational mechanisms involved in these projects, as well as to speculate, through an interpretive graphic production, on the process that could have generated them, and can potentially give birth to multiple alternative formal configurations.