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The Missing Camera or: How I Learned to Stop Worrying and Love Oblique Projection
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2024
Drawing air: the evolution of the representation of air in architectural drawing from the industrial revolution to the present
2023
[x] Architectural Analysis, Survey and Documentation of Built Heritage
2023
Analysis, Systems & Composition
2023
From projection to building and vice versa
2023
Emergence of pre-digital algorithmic design
2023
Comparing Randomness
2023
Formal Analysis and Computer Process - Algorithmic Music II/II
2022
Misreading, once again...
2022
De l'incarnation de la protoarchitecture
2021
Formal Analysis and Computer Process - Algorithmic Music I/II
2021
(Close) Reading Morphosis
2021
Jeu d’échelles / échelles du jeu
2021
Workshop (fig.)
2021
Perspectiva Virtualis
2021
Architectural Analysis, Survey and Documentation of Built Heritage
2020
Formal Analysis and Computer Process - The Algorists
2020
Architectural Analysis, Survey and Documentation of Built Heritage
2019
Exploitation de numérisations hétérogènes pour la représentation et l'analyse d'un site archéologique de grande échelle : Pachacamac 1532
2019
Architectural Analysis and Graphic Representation - Morphosis in the 1980s
2019
Formal Analysis and Computer Process - Medley II/II
2019
Histoires de Représentation
2019
Virtual Systems – Actual Objects: Rendition of Morphosis ' Compositional Principles in the mid 1980s
2018
Formal Analysis and Computer Process - Medley I/II
2018
Jean-Nicolas-Louis Durand’s Clockwork
2018
Espaces de processus/Espaces d'analyse. Description graphique de mécanismes géométriques compositionnels et représentationnels. Los Angeles dans les années 1980 : morceaux choisis
2017
Study and Rendition of Jean-Baptiste Hourlier's projection drawings
2016
Morphosis Drawings and Models in the Mid 1980s: Graphic Description of Graphic Thinking
2016
Immeuble Bessonneau à Casablanca - Hypothèse de restitution de l’état originel
2015
Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens
2015
Jean-Nicolas-Louis Durand - Representation as Instrument
2015
Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
Photomodélisation de la Maison de Verre de Paul-Amaury Michel
2010

Architectural Analysis, Survey and Documentation of Built Heritage

[2023] [Master Studio] [Drawing] [Model] [Photography] [3D model]
Author(s): David Lo Buglio, Denis Derycke, Michel Lefèvre, Myriem Saoud, Alexandre Van Dongen, Jean Trottet

Teaching unit ARCH-P8123 - AIM2 - Master 1 & 2

Teachers: David Lo Buglio (coordinator), Denis Derycke, Michel Lefèvre

Invited lecturer: Myriem Saoud, Jean Trottet & Alexandre Van Dongen

The AIM "Architectural Analysis, Survey and Documentation of Built Heritage" module is divided into two compulsory seminars:

-The History and Theory of Architectural Representation seminar aims to develop specific theoretical knowledge of the history and theory of the graphic representation of architecture.

-The seminar on digital acquisition and graphic representation of built heritage offers a theoretical and practical introduction to survey techniques.

The aim of this module is to approach architectural representation in a different way from its practical application, and to explore the rich historical literature on the subject and learn how to exploit its content. Secondly, by experimenting with different digitisation techniques and methods, the aim of the course is to give students the resources, both technical and epistemological, to carry out an in-depth analysis of a heritage object and its context (topographical, urbanistic and stylistic). Students must also compare the theoretical point of view they have developed in the (History and Theory of Architectural Representation Seminars) with their digitisation work, in order to produce sets of critical and original representations.

2020-2023 theme - Stoclet Palace

The results of the studies carried out in the seminars are then used in an architectural analysis, modelling and graphic production project based on the Palais Stoclet. 

Commissioned by the Stoclet family in 1905 from the secessionist architect Josef Hoffmann, this private house is the most representative work of the Gesamtkunstwerk in Belgium. The palace has been listed several times. The exterior was first listed as a historic monument in 1976, followed by all the furnishings in 2006. Since 2009, the Stoclet Palace has been on UNESCO's World Heritage List, but remains inaccessible to the public. The palace's heritage value, combined with its inaccessibility, justifies the need for an in-depth study based on archives, as well as its dissemination to the public.

Featured Projects

2020-2021

Bassam Boughaba & Luca Etienne / Andrés Jiménez

2021-2022

Camille Audouin & Léo Soulard / Romain Fontaine & Lola Perret / Soumaya Fahem & Roman Godhair

2022-2023

Wiktoria Niemynska & Aurore Dulière / Sebastian Big & Alexandre Vandenhoeck / Anna Mansour & Dora Rousseau / Nicolas Delvosal & Thomas Delers / Lola Majoie & Serena Horn