AlICe

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Formal Analysis and Computer Process - Algorithmic Music III/III
2024
Beyond the narrative: a workflow for 3D restitution of built heritage
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2024
TV Show: 3D Digitization and Built Heritage Preservation
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2023
Analysis, Systems & Composition
2023
Maison du Peuple full scale experience on its original site
2023
Emergence of pre-digital algorithmic design
2023
Formal Analysis and Computer Process - Algorithmic Music II/III
2022
Misreading, once again...
2022
Perspectives on Dwelling : Architectural Anthropologies of Home
2022
Formal Analysis and Computer Process - Algorithmic Music I/III
2021
Architectural Analysis, Survey and Documentation of Built Heritage
2020
Formal Analysis and Computer Process - The Algorists
2020
Architectural Analysis, Survey and Documentation of Built Heritage
2019
Victor Horta's Maison du Peuple 3D restitution hypothesis
2019
Architectural Analysis and Graphic Representation - Morphosis in the 1980s
2019
Formal Analysis and Computer Process - Medley II/II
2019
Victor Horta's Maison du Peuple 3D restitution hypothesis
2019
Virtual Systems – Actual Objects: Rendition of Morphosis ' Compositional Principles in the mid 1980s
2018
Formal Analysis and Computer Process - Medley I/II
2018
Le squelette de la Maison du Peuple : hypothèse de restitution 3D
2017
Espaces de processus/Espaces d'analyse. Description graphique de mécanismes géométriques compositionnels et représentationnels. Los Angeles dans les années 1980 : morceaux choisis
2017
Jean Prouvé - 3D short movies
2016
Study and Rendition of Jean-Baptiste Hourlier's projection drawings
2016
Architectural Analysis & Computer Process IV
2016
Morphosis Drawings and Models in the Mid 1980s: Graphic Description of Graphic Thinking
2016
Architecture « résolument » numérique : Paradigm Shift vs. paradigme albertien ?
2015
Reduce to Understand: a Challenge for Analysis and Three-dimensional Documentation of Architecture
2015
Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens
2015
Architectural Analysis & Computer Process II
2014
[x] Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
Architectural Analysis & Computer Process I
2013
Baucher-Blondel-Filiponne - 3D short movies
2012
La complexité inhérente aux modèles numériques et le paradigme de la représentation architecturale - Brèves considérations sur les pratiques contemporaines
2012
Jacques Dupuis & Albert Bontridder - 3D short movies
2011
Van Buuren House Orthophotographic Survey
2009
Architectural analysis and relevance of digital representation techniques - An educational experiment
2007

Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking

Contribution to the 2014 Design Communication Association Conference (DCA): Design & Graphic Palimpsest [Dialogue-Discourse-Discussion], Southern Polytechnic State University, Atlanta GA, October 2014.

Abstract:
Created in 1994, AlICe – Computer Laboratory for Conception and Image in Architecture – is a teaching and research unit treating issues related to architectural analysis, architectural representation and graphic communication. Besides research projects, the laboratory aims since 20 years at educating students to a critical understanding of contemporary architectural representation, using both traditional and digital media within a framework deeply rooted in history and theory. The field of experimentation for this educational project is architectural analysis since the examination of an existing architectural object (built or not) constitutes an ideal starting point for a student to start challenging his understanding of architectural representation, pristine from design ideologies. Students proceed to examination of compositional grammars and formal vocabularies, and postulate analytical interpretations by understanding and exploring several media, conventions or projection techniques, regarding their specificities. They are likely to combine pencil sketching, 3d modeling, filming, 3D printing, photogrammetric data acquisition or even procedural scripting for well-documented experimentations of canons of architectural representation. By focusing on the meaningful relationship between architectural discourse and a set of adequate – sometimes customized – media, they set up an analytical critical thought linked to a graphic outcome.

Projects form the following students are featured in this article: Arthur Lachard, Youssef El Jachemi, Emar Essaadouni, Hicham Benjelloum, Eléonore David, Raphaël Padovani.

Link to the full text