AlICe

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Formal Analysis and Computer Process - Algorithmic Music III/III
2024
The Missing Camera or: How I Learned to Stop Worrying and Love Oblique Projection
2024
Code Tracing
2023
Formal Analysis and Computer Process - Algorithmic Music II/III
2022
Misreading, once again...
2022
Formal Analysis and Computer Process - Algorithmic Music I/III
2021
Noise
2021
Perspectiva Virtualis
2021
Formal Analysis and Computer Process - The Algorists
2020
Formal Analysis and Computer Process - Medley II/II
2019
Building Drawings : Decoding and Recoding the Graphic Projection Algorithm in Architectural Representation
2019
Places Royales Françaises. Réflexion d’une logique d’édification à travers une corrélation entre une analyse sémantique et un signal géométrique
2018
Formal Analysis and Computer Process - Medley I/II
2018
Jean-Nicolas-Louis Durand’s Clockwork
2018
Caractérisation de formes architecturales. Une approche expérimentale intégrant complexité et intelligibilité des représentations numériques
2016
Architectural Analysis & Computer Process IV
2016
Architectural Analysis & Computer Process III
2015
Jean-Nicolas-Louis Durand - Representation as Instrument
2015
Architectural Analysis & Computer Process II
2014
[x] Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
Architectural Analysis & Computer Process I
2013

Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking

Contribution to the 2014 Design Communication Association Conference (DCA): Design & Graphic Palimpsest [Dialogue-Discourse-Discussion], Southern Polytechnic State University, Atlanta GA, October 2014.

Abstract:
Created in 1994, AlICe – Computer Laboratory for Conception and Image in Architecture – is a teaching and research unit treating issues related to architectural analysis, architectural representation and graphic communication. Besides research projects, the laboratory aims since 20 years at educating students to a critical understanding of contemporary architectural representation, using both traditional and digital media within a framework deeply rooted in history and theory. The field of experimentation for this educational project is architectural analysis since the examination of an existing architectural object (built or not) constitutes an ideal starting point for a student to start challenging his understanding of architectural representation, pristine from design ideologies. Students proceed to examination of compositional grammars and formal vocabularies, and postulate analytical interpretations by understanding and exploring several media, conventions or projection techniques, regarding their specificities. They are likely to combine pencil sketching, 3d modeling, filming, 3D printing, photogrammetric data acquisition or even procedural scripting for well-documented experimentations of canons of architectural representation. By focusing on the meaningful relationship between architectural discourse and a set of adequate – sometimes customized – media, they set up an analytical critical thought linked to a graphic outcome.

Projects form the following students are featured in this article: Arthur Lachard, Youssef El Jachemi, Emar Essaadouni, Hicham Benjelloum, Eléonore David, Raphaël Padovani.

Link to the full text