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The Missing Camera or: How I Learned to Stop Worrying and Love Oblique Projection
2024
Code Tracing
2023
Formal Analysis and Computer Process - Algorithmic Music II/II
2022
Misreading, once again...
2022
Formal Analysis and Computer Process - Algorithmic Music I/II
2021
Noise
2021
Pohlke: One-Click Standard Orthographic and Oblique Projection Cameras
2021
Perspectiva Virtualis
2021
Formal Analysis and Computer Process - The Algorists
2020
Formal Analysis and Computer Process - Medley II/II
2019
Building Drawings : Decoding and Recoding the Graphic Projection Algorithm in Architectural Representation
2019
Places Royales Françaises. Réflexion d’une logique d’édification à travers une corrélation entre une analyse sémantique et un signal géométrique
2018
Formal Analysis and Computer Process - Medley I/II
2018
[x] Jean-Nicolas-Louis Durand’s Clockwork
2018
Caractérisation de formes architecturales. Une approche expérimentale intégrant complexité et intelligibilité des représentations numériques
2016
Architectural Analysis & Computer Process IV
2016
Architectural Analysis & Computer Process III
2015
Jean-Nicolas-Louis Durand - Representation as Instrument
2015
Architectural Analysis & Computer Process II
2014
Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
Architectural Analysis & Computer Process I
2013

Jean-Nicolas-Louis Durand’s Clockwork

Author(s): Julien Rippinger

Full Title: Jean-Nicolas-Louis Durand’s Clockwork: Computational Magnification of a 19th Century Procedural Design Mechanism

Contribution to the 2018 Design Communication Association Conference (DCA): Virtual + Actual: Process and Product of Design, Ithaca NY: Cornell University, October 2018.

Abstract:

This article investigates some antecedents of contemporary virtual design processes by translating into a digital procedural model the rules of the composition mechanism of 19th Century French architect Jean-Nicolas-LouisDurand (1760 – 1834). Albeit the existing research, Durand’s lessons and their original compositional techniques have not yet been regarded as a genuine research corpus. Durand centers his teaching on the instruction of what is commonly called the mécanisme – which is a generic and procedural design method articulated in a stepwise procedure directing the architect’s hand in the composition of a project requiring whatever program. This research will analyze and extend the application of the mécanisme. First, it will highlight the original representational setup. Secondly, the research will perform a translation of the mécanisme into a Python script generating 3D models. This allows an execution of the mécanisme in a new context and under (almost) unlimited conditions. The numerous situations generate actual models to confirm the virtual kernel of an analog design system. The research intends to elicit the abstract and generic in Durand’s research object, expand it by pushing beyond what Durand could have imagined in order to suggest a historical background for some aspects of contemporary parametric architecture.

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