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Relics of Electronic Hallucinations. Gazing at Early Computational Fluid Dynamics Drawings from Los Alamos Nuclear Research Center
2024
Rules, A Short History Of What We Live By, A book by Lorraine Daston
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Stoclet 1911 - Restitution
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Anthropic Units in Baroque Architecture, the Gallery of the Palazzo Spada and the Roman Palm
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Crossed Experimentations of Low-Altitude Surveys For The Detection Of Buried Structures
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Towards a multi-scale semantic characterization of the built heritage
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Noise
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Pohlke: One-Click Standard Orthographic and Oblique Projection Cameras
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Perspectiva Virtualis
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Exploitation des numérisations pour l'analyse urbaine en contexte archéologique
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Projection built into Sketchpad III: origin of a critical field in computer graphics
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Relecture de vocabulaires d’architecture : apport de la complexité des représentations numériques dans la caractérisation de formes architecturales
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Virtual Systems – Actual Objects: Rendition of Morphosis ' Compositional Principles in the mid 1980s
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[x] Jean-Nicolas-Louis Durand’s Clockwork
2018
Le squelette de la Maison du Peuple : hypothèse de restitution 3D
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Morphosis Drawings and Models in the Mid 1980s: Graphic Description of Graphic Thinking
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Architecture « résolument » numérique : Paradigm Shift vs. paradigme albertien ?
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Reduce to Understand: a Challenge for Analysis and Three-dimensional Documentation of Architecture
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Analyse architecturale, modélisation 3D et narration filmique : un regard original sur quelques objets corbuséens
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Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
La complexité inhérente aux modèles numériques et le paradigme de la représentation architecturale - Brèves considérations sur les pratiques contemporaines
2012
Photomodélisation de la Maison de Verre de Paul-Amaury Michel
2010
Architectural analysis and relevance of digital representation techniques - An educational experiment
2007
EXPLORER: A Procedural Modeler Based on Architectural Knowledge
1997

Jean-Nicolas-Louis Durand’s Clockwork

Author(s): Julien Rippinger

Full Title: Jean-Nicolas-Louis Durand’s Clockwork: Computational Magnification of a 19th Century Procedural Design Mechanism

Contribution to the 2018 Design Communication Association Conference (DCA): Virtual + Actual: Process and Product of Design, Ithaca NY: Cornell University, October 2018.

Abstract:

This article investigates some antecedents of contemporary virtual design processes by translating into a digital procedural model the rules of the composition mechanism of 19th Century French architect Jean-Nicolas-LouisDurand (1760 – 1834). Albeit the existing research, Durand’s lessons and their original compositional techniques have not yet been regarded as a genuine research corpus. Durand centers his teaching on the instruction of what is commonly called the mécanisme – which is a generic and procedural design method articulated in a stepwise procedure directing the architect’s hand in the composition of a project requiring whatever program. This research will analyze and extend the application of the mécanisme. First, it will highlight the original representational setup. Secondly, the research will perform a translation of the mécanisme into a Python script generating 3D models. This allows an execution of the mécanisme in a new context and under (almost) unlimited conditions. The numerous situations generate actual models to confirm the virtual kernel of an analog design system. The research intends to elicit the abstract and generic in Durand’s research object, expand it by pushing beyond what Durand could have imagined in order to suggest a historical background for some aspects of contemporary parametric architecture.

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