AlICe

Research →
Teaching →
Media →
Filters : Code[x]
The Missing Camera or: How I Learned to Stop Worrying and Love Oblique Projection
2024
Code Tracing
2023
Formal Analysis and Computer Process - Algorithmic Music II/II
2022
Misreading, once again...
2022
[x] Formal Analysis and Computer Process - Algorithmic Music I/II
2021
Noise
2021
Pohlke: One-Click Standard Orthographic and Oblique Projection Cameras
2021
Perspectiva Virtualis
2021
Formal Analysis and Computer Process - The Algorists
2020
Formal Analysis and Computer Process - Medley II/II
2019
Building Drawings : Decoding and Recoding the Graphic Projection Algorithm in Architectural Representation
2019
Places Royales Françaises. Réflexion d’une logique d’édification à travers une corrélation entre une analyse sémantique et un signal géométrique
2018
Formal Analysis and Computer Process - Medley I/II
2018
Jean-Nicolas-Louis Durand’s Clockwork
2018
Caractérisation de formes architecturales. Une approche expérimentale intégrant complexité et intelligibilité des représentations numériques
2016
Architectural Analysis & Computer Process IV
2016
Architectural Analysis & Computer Process III
2015
Jean-Nicolas-Louis Durand - Representation as Instrument
2015
Architectural Analysis & Computer Process II
2014
Education in Architectural Analysis through Hybrid Graphic Means: a Setup for Critical Thinking
2014
Architectural Analysis & Computer Process I
2013

Formal Analysis and Computer Process - Algorithmic Music I/II

Teaching unit ARCH-P7123 - Master 1 & 2
Teachers: Denis Derycke (coordinator), Michel Lefèvre
Invited lecturers: Uri Wegman, Julien Rippinger

The Formal Analysis and Computer Process module considers architectural composition as an operation primarily based on principles that are inherent to architecture itself, devoid of any form of contextualization, function or ideological content. It assumes that the purpose of architecture mainly lies in the shapes and spaces through which architecture reveals itself, as well as in the graphic means – drawings and models – through which architecture is designed, which are often its only mode of existence. In such an approach, the design is no longer meant to produce a concrete output; the creation of exploratory composition processes becomes an end in itself.

In this 12 week exercise, students investigate a given artwork or set of artworks from the same artist. The objects of study are from the fields of painting, sculpture, music or architecture, and their initial composition methods are related to systemic processes. Students are asked to extract formal vocabulary and recurrent composition rules out of their object of study. Then, they translate and interpret those rules with parametric computer programming, so as to generate random (parametric) architectural configurations that match their initial analysis. In the end, they proceed to an architectural rendition of the work of art they previously analyzed, within the space of a 10 cm cube. To do so, they use only the following graphic means: axonometric projections and 3D printing.

2021-2022 theme
Minimalist/algorithmic/serial music. Selected composers: Joan La Barbara, Philip Glass, Steve Reich, Johanna Beyer, Terry Riley, Cornelius Cardew, Johann Sebastian Bach.

Featured projects:

Joan La Barbara & John cage, Solo for Voice 45 (1977)
Dina El Khattabi & Ayman Ouiriarhli Ameur | Source Code

Johann-Sebastian Bach, Chaconne - Partita n°2 (1717-1720)
Leylou Boey & Alexandre Troc | Source Code

Cornelius Cardew, Treatise (1963-1967)
Raban Ohlhoff & Jules Duwez | Source Code