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The Missing Camera or: How I Learned to Stop Worrying and Love Oblique Projection
2024
Relics of Electronic Hallucinations. Gazing at Early Computational Fluid Dynamics Drawings from Los Alamos Nuclear Research Center
2024
Architectural Analysis, Survey and Documentation of Built Heritage
2024
Survey and characterisation of the archaeological landscape of Lovo
2024
Stoclet 1911 - Restitution
2024
Stoclet 1911 - Hypothesis
2024
Drawing air: the evolution of the representation of air in architectural drawing from the industrial revolution to the present
2023
Architectural Analysis, Survey and Documentation of Built Heritage
2023
Analysis, Systems & Composition
2023
Code Tracing
2023
From projection to building and vice versa
2023
Emergence of pre-digital algorithmic design
2023
Comparing Randomness
2023
Anthropic Units in Baroque Architecture, the Gallery of the Palazzo Spada and the Roman Palm
2023
Workshop Glyph
2023
Re-presentation as an analytical tool in Baroque Architecture
2022
Crossed Experimentations of Low-Altitude Surveys For The Detection Of Buried Structures
2022
Formal Analysis and Computer Process - Algorithmic Music II/II
2022
Misreading, once again...
2022
[x] Perspectives on Dwelling : Architectural Anthropologies of Home
2022
Towards a multi-scale semantic characterization of the built heritage
2021
De l'incarnation de la protoarchitecture
2021
Formal Analysis and Computer Process - Algorithmic Music I/II
2021
(Close) Reading Morphosis
2021
Workshop (fig.)
2021
Architectural Analysis, Survey and Documentation of Built Heritage
2020
Exploitation des numérisations pour l'analyse urbaine en contexte archéologique
2020
Formal Analysis and Computer Process - The Algorists
2020
Urban Planning Representation
2020
Projection built into Sketchpad III: origin of a critical field in computer graphics
2020
Architectural Analysis, Survey and Documentation of Built Heritage
2019
Exploitation de numérisations hétérogènes pour la représentation et l'analyse d'un site archéologique de grande échelle : Pachacamac 1532
2019
Relecture de vocabulaires d’architecture : apport de la complexité des représentations numériques dans la caractérisation de formes architecturales
2019
Architectural Analysis and Graphic Representation - Morphosis in the 1980s
2019
Formal Analysis and Computer Process - Medley II/II
2019
Histoires de Représentation
2019
Victor Horta's Maison du Peuple 3D restitution hypothesis
2019
Building Drawings : Decoding and Recoding the Graphic Projection Algorithm in Architectural Representation
2019
Places Royales Françaises. Réflexion d’une logique d’édification à travers une corrélation entre une analyse sémantique et un signal géométrique
2018
Virtual Systems – Actual Objects: Rendition of Morphosis ' Compositional Principles in the mid 1980s
2018
Formal Analysis and Computer Process - Medley I/II
2018
Jean-Nicolas-Louis Durand’s Clockwork
2018
Le squelette de la Maison du Peuple : hypothèse de restitution 3D
2017
Espaces de processus/Espaces d'analyse. Description graphique de mécanismes géométriques compositionnels et représentationnels. Los Angeles dans les années 1980 : morceaux choisis
2017
Caractérisation de formes architecturales. Une approche expérimentale intégrant complexité et intelligibilité des représentations numériques
2016
Study and Rendition of Jean-Baptiste Hourlier's projection drawings
2016
Architectural Analysis & Computer Process IV
2016
Morphosis Drawings and Models in the Mid 1980s: Graphic Description of Graphic Thinking
2016
Architectural Analysis & Computer Process III
2015
Immeuble Bessonneau à Casablanca - Hypothèse de restitution de l’état originel
2015

Perspectives on Dwelling : Architectural Anthropologies of Home

[2022] [Workshop] [Drawing]
Author(s): Denis Derycke, Ray Lucas

Doctoral seminar held during April & June 2022.
Guest lecturer: Dr. Ray Lucas, Manchester School of Architecture, Faculty of architecture International Chair 2022.
Coordination: Denis Derycke

This workshop asks participants to make use of drawing and other inscriptive practices as a way of understanding and deepening engagement with the world. Drawing is a form of perception and understanding.The interpretation of the environment and description of our world through lines is an important practice to architecture, however those lines are inscribed. By drawing, we are able to see more deeply, able to under-stand more thoroughly, interpret meanings and explore possibilities. This workshop will explore a variety of inscriptive practices and ask participants to apply these to the spaces of everyday life, where we live and dwell.The aim is to explore both the conventions of architectural drawing and to expand the scope to consider alternative traditions of inscriptive practice such as notation. The aim is to describe the temporalities of dwelling as a state continually in the making and never completed.The work is grounded in a long-term engagement with the work of anthropologist Tim Ingold, bringing his wide ranging discussions of being, liveliness, and imagining into contact with the practices of architectural design and theory. We owe it to ourselves to restore drawing to its place in the academy as a worthwhile activity, one capable of incredible nuance and which communicates with an engaging directness, bringing the viewer into the observations of the scribe.

Participants:
Julien Rippinger (ULB), Myriem Saoud (ULB), Lisa Rapport (ULB), Charlotte Gyselinck (ULB), Jonas Rent (ULB), Ellen Van Huffel (ULB), Ipek Avanoglu (KUL Sint-Lucas/ITU), Ben Clarck (ULB), Rohit Shinkre (ULB).